The crying game: what Hamnet’s grief-porn debate says about women, cinema – and enormous hawks

Magnetism and believability … Jessie Buckley in Hamnet. Photograph: Landmark Media/Alamy

‘Is it porn or is it art?” A familiar, even dated question where nudity is involved, and (forgive thumbnail) pretty well-resolved– which is to say: we let the tastemakers decide, and it tips the scale towards “art” if one or both protagonists are not that good-looking.

“Is it grief-porn or is it grief-art?” is a more vexed question. Grief-porn, in relation to cinema, would suggest that the film in question is emotionally manipulative, formulaic; grief-art would suggest the film unleashes feelings both universal and true.