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Giselle Bastin, Associate Professor of English, Flinders University

The Crown season six: an overly detailed, unimaginative soap opera – I needed a martini to get through it

Keith Bernstein/Netflix

The opening scene of season six of The Crown sees a man walking his dog under the light of the Eiffel Tower. It’s 1997 and a Mercedes car speeds past and ends in a horrendous crash in a Paris tunnel. The man’s dog is being recalcitrant and refusing to take its evening wee.

When The Crown debuted in 2016, the quality of the story lines, acting and impressive production standards were so striking that millions of viewers discovered the addiction of bingeing a television program; episodes would be viewed on a loop and toilet breaks would be delayed.

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