With her latest album Something Beautiful debuting at number four in the Billboard 200 and in contention to reach the top of the UK album charts, Miley Cyrus’s commercial appeal appears as strong as ever.
Something Beautiful is Cyrus’s 9th studio album, described by the singer-songwriter as an attempt to bring the divine into the day to day. It’s an ambitious, sprawling record, but, despite its commercial success, its eclecticism has led to a polarised reaction among critics.
Negative reviews are, of course, not uncommon, and we need look no further than The New York Times’ 1969 review of Abbey Road to see that even the most celebrated and acclaimed artists aren’t immune to the critic’s poison pen. But, while some degree of criticism is inevitable for all artists, when it comes to discussing experimentation and musical identity, female and male artists seem to be treated differently.
