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The Guardian - UK
The Guardian - UK
Entertainment
Sam Leith

The Captive by Kit Burgoyne review – a literary novelist tries his hand at pulp horror

‘The Captive gleefully chucks every old-school horror trope you care to think of at the wall.’
‘The Captive gleefully chucks every old-school horror trope you care to think of at the wall.’ Photograph: sqback/Getty Images/iStockphoto

As we meet Luke, a nervous footsoldier in a revolutionary cell, he is on the point of carrying out his first proper operation. He and his colleagues – veteran activist Cam, and fire-in-her-belly true believer Rosa – are about to kidnap Adeline Woolsaw, 23-year-old scion of an obscenely wealthy clan who run an outsourcing company called the Woolsaw Group.

The company’s parasitic, money-grabbing, cost-shaving, data-siphoning activities stand for everything that is sinister and wrong with the conjunction of capitalism and state power. But the problem its opponents have is that the Woolsaw Group’s activities are so far-reaching, and its public profile so blandly corporate, that the public can’t be persuaded to pay any attention to its wickedness: “it’s ‘the largest public service outsourcing company in the UK’, which is so boring your brain just switches off. Which is good for the Woolsaw Group.” The hope of our wee terror cell, essentially, is that kidnapping the Woolsaws’ daughter will wake people up by putting a human face on it.

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