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The Guardian - UK
The Guardian - UK
Entertainment
Peter Bradshaw

The Camera Is Ours review – evocative shorts from pioneering female film-makers

Something Nice to Eat (1967), directed by Sarah Erulkar, part of the touring compilation The Camera Is Ours
Something Nice to Eat (1967), directed by Sarah Erulkar, part of the touring compilation The Camera Is Ours. Photograph: Independent Cinema Office

Here is a feature-length selection of documentary shorts from Britain’s pioneering women film-makers from the 1930s to the 1960s – a theatrical “touring version” from the Independent Cinema Office, taken from a larger assortment on the BFI’s two-disc DVD release.

The directors are very often tackling what were considered – by the male producers, that is – to be the “women’s issues” of the day: motherhood, family, hearth and home. Sometimes these are the explicit themes and sometimes they are a subtext. Two of the films are prefaced with content warnings about racism (though not sexism): a blackface minstrel show in Broadstairs is shown in one film and, in another on obstetric education for working-class women, someone is shown repeating the extraordinary superstition that drinking stout will “give you a black baby” – although, unlike the minstrels, this is clearly signposted in the film itself as bizarre and wrong.

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