SPOILER WARNING: The following article contains massive spoilers for The Boogeyman. If you have not yet seen the film, read on at your own risk!
The Boogeyman has an appropriately horrifying ending to go in tandem with all of the terror that precedes it. In a pitch dark basement, the Harper family squares off with the unrelenting titular monster, and while it seems briefly that Sadie (Sophie Thatcher), her sister Sawyer (Vivien Lyra Blair), and their father Will (Chris Messina) have killed the creature and can live in peace, their safety is called into question as a result of a spooky moment following a family therapy session in the aftermath. It’s a satisfying conclusion to the movie – and particularly interesting in the context of the Stephen King short story it’s based on and earlier drafts of the script.
I learned a lot about The Boogeyman’s ending when I interviewed director Rob Savage about the film prior to its theatrical release. In particular, he discussed how the movie was designed to pay tribute to the memorable, horrifying ending of the source material, and he revealed details about early drafts of the script that demonstrate just how much the movie changed over the course of development.
How The Boogeyman Ending Ties Back To The Stephen King Story
The Boogeyman has a strange relationship with the Stephen King short story of the same name, as it operates as both an adaptation and a sequel rolled into one. In King’s version, the protagonist is Lester Billings, an emotionally raw man who goes to a therapist after he becomes convinced that a monster has killed his three children, and the film makes Lester a supporting character who leads the Boogeyman, so to speak, to the Harper family. Most of the movie is built on an original narrative following the Harpers, but Rob Savage and screenwriters Mark Heyman, Scott Beck, and Bryan Woods made a point of having the ending tie back to King’s creation.
As Savage explained, this was partially accomplished through the look of the eponymous creature. The Boogeyman isn’t fully described by Stephen King in the short story, but it inspired certain ideas:
There isn’t a scene in the film where The Boogeyman attempts to pass off as human by wearing a skin suit, but the idea of that led to the nightmarish presentation of the monster in the basement battle after its full form is teased in earlier scenes. Savage continued,
The director also spoke to the aforementioned family therapy scene, which is much more directly based on the short story (with Sadie being mysteriously called back into the psychiatrist’s office, seeing the closet door open, and realizing that it wasn’t the doctor who summoned her). Rob Savage took inspiration not only from Stephen King with the scene, but one of the most beloved modern Japanese horror films:
The creepy tease doesn’t specifically ask for a sequel, but instead builds on the larger themes of the film about grief – which, like the Boogeyman, never truly goes away. Having the conclusion tie into the larger message of the film was something that was very important for the director, and it was one thing that entered the picture when the Boogeyman ending was almost wholly changed.
Earlier Drafts Of The Boogeyman Had A Completely Different Ending
When The Boogeyman first entered development back in 2018, A Quiet Place writers Scott Beck and Bryan Woods were hired to both produce and write the screenplay, but Black Swan writer Mark Heyman was brought on to do a new draft when Rob Savage came aboard to direct the film in November 2021. During that period of development, the script ended up changing quite a lot, including the third act.
According to Savage, the version of the movie penned by Scott Beck and Bryan Woods featured Will as its protagonist instead of Will’s children, which had a major impact on the way the plot unfolded, and there were different ideas in play for where the antagonist was living. Said the director,
Continuing, Rob Savage explained that he worked with the filmmakers to not stack plot events at the end of the movie but instead have everything flow together organically in a way that let the themes mix with the monster:
It was this approach that ultimately led to the idea of The Boogeyman making a home in the collection of stuff belonging to Sadie and Sawyers’ deceased mother that had been stacked in the basement. Said Savage,
With the Harpers battling the Boogeyman in the basement, they literally have to face their grief – and, of course, their love for their mother and her spirit come to her aid at the end. Her presence is clearly with Sadie, Sawyer and Will at the end… and let’s not forget that it’s her lighter that is used by Sadie to set The Boogeyman on fire and turn it to ash.
The Boogeyman is now playing in theaters. For more reading, you can check out my CinemaBlend review of The Boogeyman, learn about the full history of Stephen King’s works in film and on television with my Adapting Stephen King column, and discover all of the adaptations that are in the works with our Upcoming Stephen King Movies And TV guide.