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The Guardian - UK
The Guardian - UK
Entertainment
Lucy Mangan

The Big Door Prize review – Chris O’Dowd’s comic timing is immaculate in this beautifully light sci-fi

Chris O’Dowd in The Big Door Prize
‘The actor you want when you need to ground any show with surreal or sci-fi elements…’ Chris O’Dowd in The Big Door Prize. Photograph: AP

What if a tiger came to tea? What if you won a ticket to a magical chocolate factory? What if an owl was afraid of the dark? What if a machine suddenly appeared in the grocery store of a small unassuming town overnight that was able, for $2 and your social security number and fingerprints, to tell you your true life potential?

As irresistible premises go, that of The Big Door Prize is a great one. Adapted from MO Walsh’s 2020 novel, the 10-part series uses the (largely unexplained) existence of the machine to explore that ever-fascinating question of whether there is such a thing as too much knowledge, and how much truth humanity can bear. Is the machine a liberation or an electronic Pandora’s box?

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