The best theatre to stream this month: a decade of Dom Coyote’s spellbinding stage music

Jessica Alade as Ophelia in Hamlet at the National Theatre, London, in 2022, with music by Dom Coyote. Photograph: Tristram Kenton/The Guardian

Electric Stage

Dom Coyote says “electronics, acoustics, voice and story collide” in his compositions for theatre. His new album spans 10 years of work and includes music from productions of Dawn King’s Addictive Beat (the ethereal, insistent Sleep Dancers), Carol Ann Duffy’s Everyman (What’s God Like, a Jacob’s Ladder-inspired loop) and Jude Christian’s Hamlet (the initially chilly Ophelia, which warms up with sounds of the natural world). It’s spellbinding stuff – available on Bandcamp.