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Entertainment
Sleazegrinder

"The beauty of it is that it's two minutes long. It's not like it's Free Bird where you have to suffer through 10 minutes of playing it every night": The story of the psychotic debut single that kick-started the grunge revolution

Mudhoney posing in a London bar.

Touch Me I’m Sick may very well be the most psychotic debut single ever released. First there’s the burst of terrifying fuzz, like a runaway buzz-saw tearing through a crowded city street. Then a gargly, half-mad howl, the panicky yelp of a rabid dog falling down a well. Grunting, maniacal laughter. A propulsive, sub-Stooges sex-beat. Snarl and spit and threats. A guitar solo that sounds like someone wrestling a rattlesnake – and losing. And then, the most confusing come-on ever: “Fuck Me, I’m sick!”

Mudhoney, an entirely new entity assembled from the surliest members of Seattle’s glam-dirge almost-legends Green River, sounded like they were declaring war on everybody. The single, initially a tiny, understated release on a doomed medium, quickly spread like some sort of nasty virus, infecting college radio stations across the US and beyond, spreading Mudhoney’s garage-gunk splatter-fest far and wide, sowing the sickly seeds of the burgeoning grunge-rock movement.

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