Get all your news in one place.
100's of premium titles.
One app.
Start reading
The Guardian - AU
The Guardian - AU
Entertainment
Michael Sun

The Babadook at 10: how a tiny Australian film became a horror hit – and an unlikely queer icon

Illustration in black and grey oil pastels of the Babadook: a shaggy looking monster with a large, wide, open mouth and wearing a top hat
‘I’m proud of that little bastard’ … The Babadook. Composite: Alamy

His eyes are depthless pools, his mouth a taut rictus. His fingers taper to blade-like claws and he looms like a scarecrow. In the dark you might only make out his cheeks, a shock of bone-white puncturing the night. He is furry, hairy, a little scary. Or maybe he’s just misunderstood?

You know the Babadook even if you haven’t seen the film: Australian director Jennifer Kent’s ornate, expressionistic horror that premiered at Sundance in 2014 before becoming a household meme a few years later. The creature leaps from a menacing picture book to torment a single mother, Amelia (Essie Davis), and her son Sam (Noah Wiseman). The pair’s already spiky relationship grows increasingly terrifying as the monster invades their suburban abode. Will they banish him before he tears them apart for good?

Sign up to read this article
Read news from 100's of titles, curated specifically for you.
Already a member? Sign in here
Related Stories
Top stories on inkl right now
One subscription that gives you access to news from hundreds of sites
Already a member? Sign in here
Our Picks
Fourteen days free
Download the app
One app. One membership.
100+ trusted global sources.