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The Guardian - UK
The Guardian - UK
Travel
Sofka Zinovieff

‘The air resounds with a Babel’s Tower of languages’: why I wrote a novel based in Victoria Square, Athens

A path with benches down one side and palm trees and streetlamps on the other.
Pedion tou Areos park in Athens. Photograph: Andrey Shevchenko/Alamy

After my father’s will banned me and my siblings from his funeral, I wrote a novel about some brothers and sisters stealing their dad in his coffin. The emotions were drawn from my painful experiences, but I invented the characters and the tragi-comic narrative in Stealing Dad. Despite growing up in England, I’ve lived in and written about Athens for 25 years, and it came naturally to create several Greek characters. Alekos is a wild sculptor who dies in London, and his daughter Iris (one of seven dispersed half-siblings) lives off Victoria Square – one of Athens’ most fascinating corners.

In the 1960s, Plateia Viktorias was a fashionable neighbourhood with the fanciest restaurants, shops and theatres. Townhouses from the interwar period were being demolished and Athenians were occupying the new six-storey apartment blocks so fast that construction dust and the constant drilling were the main problem. Today, through wrought-iron and glass doors, elegant, marble-lined halls reveal concierges’ desks and traces of a vanished bourgeois life.

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