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The Guardian - UK
The Guardian - UK
Entertainment
Stuart Heritage

The 50 best TV shows of 2022: No 7 – Better Call Saul

Bob Odenkirk as Saul Goodman in season six, episode 13, the last of the series.
Elaborate scams … Bob Odenkirk as Saul Goodman in season six, episode 13, the last of the series. Photograph: Greg Lewis/AMC/Sony Pictures Television

From the start, Better Call Saul tried to have its cake and eat it. The series billed itself as a Breaking Bad prequel; a way for viewers to gorge on the high-energy exploits of its breakout character, the sleazy criminal lawyer Saul Goodman. But the show came with its own miniature prologue. A black-and-white sequence, set in a branch of the bakery Cinnabon hidden away in a Nebraskan shopping centre.

It was here that we saw Goodman, formerly Jimmy McGill, hiding from the fallout of the explosive Breaking Bad finale under the assumed identity of Gene Takovic. A simple prequel would have been one thing – showing us how an essentially decent lawyer could chip away at his moral centre until all that was left was a howl of unscrupulous greed – but this prologue set up another problem. Who is Gene? What’s his story?

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