It was one of the most eagerly awaited scientific announcements of all time, and it pitted the world of faith against the world of rational thought, under the glare of the media. So when cutting-edge carbon-14 tests found that the Shroud of Turin was a forgery, it seemed like the final chapter for a relic that had been revered for centuries as the cloth in which Christ’s body had been wrapped when he supposedly rose from the dead at the first Easter almost 2,000 years ago.
But one man – David Rolfe, a film-maker whose documentary The Silent Witness had brought the shroud into the public eye in modern times, and who had converted to Christianity as a result of his research – wasn’t prepared to give up on it. He was convinced the carbon dating, carried out in 1988 under the direction of the British Museum and Oxford University, had been flawed. And now he claims he has the evidence to prove it. This week sees the release of a new film, Who Can He Be?, in which Rolfe argues that, far from the shroud being a definite dud, new discoveries in the past few years have again opened the question of its authenticity.
