10. Sarathy Korwar – There Is Beauty, There Already
A 40-minute suite of continuous, repetitive drumming might not sound like the most accessible music but south Asian percussionist and producer Sarathy Korwar’s latest album, There Is Beauty, There Already, turns this concept of insistent rhythm into strangely alluring work. Leading an ensemble of three drummers, Korwar develops a dense percussive language throughout the record’s 10 movements, channelling Steve Reich’s phasing motifs as well as Indian classical phrasing and anchoring each in the repetition of a continual, thrumming refrain. As the album continues, the refrain begins to emulate the hypnotic repetition of ceremonial rhythm, drawing us further into Korwar’s percussive world the longer we listen.
