When Kurt Cobain set out to create what would eventually become Bleach, he was still living in Aberdeen, Washington, and working as a janitor.
His guitar playing, coupled with his introspective songwriting, was attracting attention, however – especially when a nascent Nirvana, comprising Cobain, bassist Krist Novoselic, and drummer Chad Channing, turned Shocking Blue’s Love Buzz into their live showcase track.
A dozen letters to labels later, Sub Pop head honchos Bruce Pavitt and Jonathan Poneman decided to take a chance on a very desperate Cobain, who accepted a less-than-ideal deal that saw the band absorb all the recording costs.
Recorded in four sessions in late December 1988 that spanned roughly 20 hours, Bleach is pure rawness. It cost the band – or, rather, Jason Everman, a musician, soldier, early Nirvana fan, and briefly the band’s second guitarist – $606.17, which he fronted.
“We literally tracked it all in three days,” producer Jack Endino told Cobain biographer Charles R. Cross in an interview published in Guitar World in June 2005.
Their rehearsals carried a similar DIY spirit, as the band honed Bleach in an Aberdeen hair salon owned by Novoselic’s mother, which could only be used after hours.
“The place closed at eight, so we’d start rehearsing then and playing until eight in the morning, when it opened again,” recalled Channing.
Perhaps one of the most underrated elements of Bleach-era Nirvana is Novoselic, who not only served as a reliable friend for Cobain but also stood out as a noteworthy bassist who perfectly complemented the rising face of grunge’s angular guitar playing.
When Cobain brought forward the riff for School, Novoselic told him, “That is the most ‘Seattle’ fucking riff I’ve ever heard in my life.”
Despite the band not living in Seattle, the city’s sludge metal scene of the ’80s and early ’90s, spearheaded by the Melvins, served as a clear influence and gave them a much-needed sense of aspiration early in their career.
Novoselic even went as far as to say that “School is the ultimate grunge song,” and thus, consequentially, the ultimate Seattle song.
Bleach, released on June 15, 1989, did not chart upon initial release, and Cobain in particular was frustrated by Sub Pop’s lack of promotional efforts.
Things started to shift after the British music press began touting the band as rising stars, and Bleach became a staple on many US college radio stations.
Then, following the release of their many-times-Platinum album Nevermind in 1991, Bleach finally received the widespread attention it deserved and became a cornerstone of the grunge movement.
In more recent news, the backline used on Nirvana’s Bleach tour hit the auction block just two months ago.
