Atta Kwami’s last work is still wet in places from its final retouchings by his widow, who painted it from his design. I sit next to her in the garden of Serpentine North by the many pots of colours she has been using to complete her late husband’s mural. “Our main worry was, ‘Is it an Atta Kwami?’” says Pamela Clarkson Kwami, herself a painter and printmaker. “If you went too far it became a kind of caricature.”
Kwami was a Ghanaian painter and art theorist with a generous, joyous abstract vision whose working life looked set to move into a new gear when he won the Maria Lassnig prize in 2021, an award for a “mid-career” artist that includes a public art commission for London’s Serpentine gallery. Kwami was born in 1956 and spent years teaching and researching before he could afford to paint full-time: a perfect recipient for this anti-ageist art prize. However, Kwami had cancer. He died last October just as his work was beginning to receive the acclaim it deserved – and with his design for a mural at the Serpentine yet to be realised.
