Tannoy Autograph Mini: Two-minute review
Take a quick look at the Tannoy Autograph Miniature and it’s easy to find yourself asking some brief but pointed questions such as “what is that?” and “why does it look like an antique?” The Tannoy doesn’t look like most other speakers because Tannoy has been making speakers for a very long time and when it has a product range called ‘Heritage,’ you’d better believe that there is a considerable amount of heritage involved – some of these products can trace their lineage back over fifty years.
The catch is that some of them are also on the large side. They can clock in at the best part of a metre wide, which means you’ll need a fair amount of room to accommodate them. The Autograph Mini is designed to embody the styling and engineering of these larger speakers but at a size that allows them to fit in smaller rooms without overwhelming them. While each Autograph Mini speaker is a great deal more manageable than its bigger brothers, the engineering and technology (yes, despite the looks, there is technology in there) is exactly the same. Tannoy feels that certain aspects of how a speaker behaves and interacts with a room require very specific engineering solutions which shape the design of the speaker.
The result looks and feels like nothing else on the market. But does that result in a set of the best stereo speakers – ie. is this a speaker proposition you actually want to own? $2,200 buys some extremely talented offerings, so is this timewarp Tannoy good enough to vie for your attention?
Tannoy Autograph Mini review: Price and release date
- Released in 2020
- £2,200 / $2,200 / AU$3,599
The current version of the Autograph Mini has been on sale for a few years now (TechRadar's audio editor actually held it in on her knee at High End Munich 2023) and it replaced a very similar version that debuted in 2008. If this sounds like it has been on sale for a while and might be in danger of replacement, you need to start thinking more in terms of ‘Tannoy time.’ The full size Autograph on which this speaker is based first went on sale in 1954 and recently had a 70th Anniversary edition launch. If it ain’t broke, Tannoy will not be rushing to fix it.
In the UK, a pair of Autograph Minis will set you back £2,200 for a pair. In the US, this seems to be a dollar equivalent $2,200 and in Australia they cost AU$3,599. This can feel a little on the steep side for a speaker as dinky as this one but it reflects that some of the techniques required to build it are rather labour intensive and the materials used are not cheap either.
This price does not include stands of any description (and neither is one offered as an accessory) and the Tannoy is a passive speaker that will need amplification and source equipment to work. I used a study but… functional… looking pair of Custom Design stands for testing but the following comments should be applicable to any respectably solid pair of stands that are 50-60cm tall.
Tannoy Autograph Mini review: Specs
Tannoy Autograph Mini review: Features
- 120mm Dual Concentric driver
- Bespoke Crossover in a ply cabinet
- 60Hz- 20kHz frequency response
As the Tannoy is a passive set of stereo speakers, it isn’t overburdened with functionality but some of the reasons it looks the way it does are down to the hardware it uses. The full size Heritage models use drivers that vary between 8 inches (203mm) and 15 inches (380mm) in size. The Autograph Mini uses a rather smaller 4inch (120mm) driver, but the principles on which it works are the same as the larger models.
Where you see a single driver on the front of the Tannoy, there are in fact two. A four-inch midbass driver is made of treated paper (and a friendly reminder that however unsophisticated it sounds, paper is a brilliant material for speaker drivers) and attached to a rolled rubber surround. In the centre of driver, where you would usually find a dust cap or phase plug is the tweeter. This is a 25mm unit made of titanium. It is sunk inside a cylindrical housing that improves its sensitivity and there is an assembly that Tannoy calls a ‘Tulip’ waveguide that helps to radiate the energy from the tweeter out in a manner that works with the mid bass.
Tannoy calls this arrangement 'Dual Concentric' and it’s been an element of the company's speakers for decades. This latest iteration includes a system that Tannoy calls Omnimagnet. This manages to place the drive magnets for the mid bass driver and the tweeter in the same place without them interfering with one another, which further improves their relationship. The internal wiring is all silver and the crossover makes use of proprietary Tannoy capacitors and low loss laminated core inductors in the pursuit of the best possible performance. Connection to an amplifier is via a single set of binding posts.
We’ll cover the Tannoy’s looks in a little while, but it’s important to stress that the means by which it is built is genuinely different to most rivals. Where most speakers at the price are made a variation of MDF, the Autograph Mini is made from sections of ply that use actual carpentry to fit together. Rather than making this as thick and inert as they can, Tannoy uses internal sections that are designed to act as resonance and damping control by being less inert than the main sections of the cabinets and bleeding energy off.
Just above the speaker terminals on the rear of the cabinet you’ll find a small bass port to help the mid bass driver in its excursions. Even with this present, any purchasing decision regarding the Tannoy needs to be made in the knowledge this is not a bass monster. A small driver in a small cabinet (not only is the Mini only 35cm tall, its sharply tapered sides mean that its internal volume is limited) is not a recipe for seismic bass and Tannoy quotes a lower roll off of 60Hz but at a whopping -10dB (or only in a very limited sense for those of you not too invested in numbers). On the plus side though, sensitivity is very good at a consistent 8 ohms.
- Features score: 4/5
Tannoy Autograph Mini review: Sound quality
- Exceptional three dimensionality and imaging
- Superb tonality with good recordings
- Limited bass… but more grunt than you might expect
It is hard not to judge how the Tannoy is going to sound based on those vintage looks but it’s very important that you do because some aspects of the Tannoy’s performance are beyond more modern looking rivals. Tannoy hasn’t been diligently working away at dual concentric drivers for decades for the hell of it. The two drivers have a relationship that is so seamless that there isn’t the first clue where they are handing over information to one another. The effect is incredibly cohesive.
The attention that has gone into making the drivers radiate energy in a consistent way also means that the Tannoy produces a beautiful stereo image. Paint the Roses, a live concert recording of Larkin Poe and the Nu Deco Ensemble, is recreated in a manner that really gives you a sense of the venue and the performers relative to the audience. Having created this effect, if you close your eyes, it’s incredibly hard to actually place where the Tannoy’s cabinets really are. It’s an extremely impressive disappearing act.
What’s more, voices and instruments are recreated in a way that is astonishingly convincing. An aged but lovely vinyl pressing of Joan Armatrading’s Me, Myself I, is packed full of guitars both electric and acoustic, bass, piano and strings, all supporting Armatrading’s sublime vocals. The manner in which the Tannoy gets stuck into All the way from America is more than a simple reproduction. It’s a performance that encourages to you stop fussing with phones (or indeed trying to write a review) and give it your full and undivided attention.
The caveat to this positivity is that the recordings mentioned so far are very good ones. The Tannoy is not a truly merciless speaker; you can put something like To Lose My Life by White Lies on and not start grimacing, but the Autograph Mini will tell you what the limitations of this recording actually are. This is not a set of speakers that will take a music collection and gloss over the rough edges – and the Autograph Mini will also show up limitations in your partnering equipment while it does so. Even though each Tannoy isn’t hard to drive, I still found these speakers did their best work on the end of a potent Naim Audio integrated amplifier. This isn’t a cheap speaker pair, and it can’t really be driven on the cheap either.
Where the Tannoy springs more of a surprise is the bass extension. So there is no confusion at this point, if your musical leanings tend towards dub and drum and bass, this is realistically not the speaker for you – but there is a lot more actual grunt on offer here than you might expect. The manner in which the Tannoy makes its limited reserves of low end available does an impressive amount to convince your brain that there is enough bass. It blasts its way though the ‘not quite jazz, not quite electronica’ of Kessencoda’s Outerstate in a way that never feels thin or light. There is a speed and cohesion to the Tannoy that the Antiques Roadshow aesthetic never really hints at.
- Sound quality score: 5/5
Tannoy Autograph Mini review: Design
- Oiled Walnut finish
- Oatmeal cloth grilles
- 209 x 356 x 155 mm and 4.4kg each
In some ways, it doesn’t really matter what I type here or what my thoughts on the Autograph Mini’s styling are because I’m pretty sure most people reading this made up their mind shortly after they started reading. Let’s put something in context though, because I do think it matters. The Tannoy looks the way it does mostly for the engineering reasons already mentioned. It’s not a mock-Tudor speaker but instead the logical result of decades of engineering work.
This doesn’t mean that the Autograph Mini isn’t going to look a bit odd in some situations. If your living space is sleek, modern and minimalist, the Tannoy is going to sit in that space in a way that is largely at odds with it. Don’t go thinking that fitting the grilles will make much of a difference ether. There are grilles, and they have nice magnetic trim tabs too, but they use the classic ‘oatmeal’ cloth the company has used for decades which means that the Autograph Mini speakers look just as determinedly old fashioned with them on as they do off.
The thing is though… if you have a space that’s remotely sympathetic to how the Tannoy is styled, it’s hard not to fall for just how exquisite an object it is. In a world where even speakers that cost quite a bit more than this still feel like tools, the Tannoy sits at the intersection of art and furniture in a way that will win many people over to their charms. This is helped by the standard of build being immaculate, even judged at the price.
- Design score: 4/5
Tannoy Autograph Mini review: Value
This is not a cheap speaker and it is unlikely you’ll save any money choosing suitable equipment for them. You can see where the money has gone though. The standard of build and finish is truly excellent, even judged at $2,200 / £2,200 and you are also paying for a level of engineering knowhow and pedigree that makes most other speaker brands look like the young upstarts that they are. Then, when it’s actually time to listen to them, used within their surprisingly wide performance envelope, they can delight.
- Value score: 4/5
Should you buy the Tannoy Autograph Mini?
Buy it if...
Don't buy it if...
Tannoy Autograph Mini: Also consider
The Monitor Audio Studio 89 is a different sort of nostalgia and is modern in ways that the Tannoy will never be and delivers bass it has no answer to. Bowers & Wilkins’ talented 705 S3 is a formidable all rounder with a different (but in some ways, no less lovely) take on a wood finish too. Finally, a more niche but fascinating device is the Neat Petite Classic. This is another compact retro speaker offering, but while it’s nowhere near as pretty as the Tannoy, it combines plenty of low end clout and an impressively forgiving nature to make it a formidable all rounder.
How I tested the Tannoy Autograph Mini
I used the Tannoy with a combination of Chord Electronics Qutest DAC taking a USB feed from a Roon Nucleus and a Naim Supernait 3 integrated amplifier; a brilliant sounding device that seems to coax good results out of most speakers but that will also highlight what they are doing wrong. A Rega Planar 10 turntable using the new Nd7 moving magnet cartridge was connected to the Naim’s phono stage to allow for a bit of vinyl testing too.
Testing was carried out in my relatively normal living room which I use as a listening space. As well as the listed recordings, a host of other material was streamed from my local music library and Qobuz and interspersed with vinyl as well.
- First tested: August 2024
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