R&B star Tank began contemplating his final album after considering pursing other endeavors. However, that timeline was accelerated after losing one of his most essential tools: his hearing.
“It just made me look at time differently. It just made me say, ‘Man, if I can lose an ear in three days, I could possibly lose the other one in the next three,” said the crooner who released “R&B Money” this month. “You just realize you don’t have as much time as you think you do.”
Last year, he revealed he was suddenly going deaf in his right ear while losing substantial hearing in his left, although the left recovered.
“You start taking a medicine that’s supposed to help with your ear, but it’s hurting everything else,” Tank explained of side effects. “So when the engineer is mixing and he’s doing real cool stuff that goes from left to right, and he’s like ‘Did you hear that?' I did not. …So there was a moment of depression.”
But the man born Durrell Babbs, who describes himself as a competitor, worked to create a 17-track, unmistakably rhythm and blues record during an era when the lines between R&B and rap are often sonically blurred. A rare self-contained artist who can pen, produce and sing, he wrote or co-wrote every song.
Tank immediately sets the intended tone of his ninth studio album by expertly displaying the lost art of slow jams with “When You Dance,” “Home," and “No Limit” featuring Alex Isley.
“You are going to be drowned in sensuality," said the five-time Grammy nominee with a smile. "I would prefer you be with somebody that you’re attracted to."
For “See Through Love,” he connected with superstar Chris Brown who he's known since Brown's teen years. Tank sent music to the superstar, who responded: "Bro, I love the record… I just really want to do something classic R&B with you.” So Tank kept going: “I sent him ‘See Through Love,’ and he sent back like 8,000 fire emojis and said, ‘It’ll be done tonight.’”
The previously released singles “I Deserve,” in which he creatively sampled his own “ Maybe I Deserve ” hit and “Can’t Let It Show,” which re-works the Kate Bush song that Maxwell introduced to Black music listeners, also appear on the album; both reached No. 1 on Billboard’s Adult R&B Airplay chart. And he did manage to create turn up vibes with “Make Sure” featuring Feather and “It’s Nothing.”
Singing backup during the late '90s for R&B icons Ginuwine and Aaliyah, Tank jumpstarted his solo career with 2001's “Maybe I Deserve." He’s released a score of hits like “One Man,” as well as No.1 hits “Please Don’t Go” and 2017's “When We." Five albums reached No. 1 on Billboard's Top R&B/Hip-Hop Albums chart during his two-decade career, maintaining relevance through R&B’s changes.
Tank is exiting at a peculiar time; despite some questioning the direction of the genre, R&B is experiencing a resurgence thanks to young, talented artists and fans longing for more than just party music. But the “Heartbreaker” singer wants to focus on shaping the next generation of talent while building his own record label, and assist in keeping the genre popular while he still has “some power left.”
Co-starring in last year's Lifetime film, “Lust: A Seven Deadly Sins Story,” Tank hopes to dig deeper into acting and even delve into stand-up comedy. But he says he'll still perform and release songs occasionally but not tie himself to an entire time-consuming body of work.
The music industry has traveled through various iterations during Tank’s tenure, and he's weathered all storms. But his most torrential downpour might be the one he’s currently sheltering, sudden sensorineural hearing loss.
“I just refuse to let my ear win. I refuse to let vertigo win. It should have killed me, if that’s what you were looking to do,” he expressed. “But since you didn’t do that, I’m going to figure out a way to be better and stronger.” ___
Follow Associated Press entertainment journalist Gary Gerard Hamilton with his handle @GaryGHamilton on all social media platforms.
