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The Guardian - UK
The Guardian - UK
Entertainment
Michael Cragg

Take That: This Life review – more left turns than you’d expect

Take That laughing as they cross they road on a pedestrian crossing in the US.
‘Songwriting democratisation’: Take That’s Mark Owen, Howard Donald and Gary Barlow. Photograph: Guy Aroch

On the curious Days I Hate Myself, the sixth track on enduring manband Take That’s ninth album, Gary Barlow, Howard Donald and Mark Owen dip their toes into ska. Ska! It’s a surprising, not entirely satisfying move on an album that takes more left turns than you’d expect from a band who could easily ignore new music altogether and rely on a discography woven tightly into UK pop’s DNA.

Recorded mainly in Nashville and New York, This Life eschews the anonymous synth-pop stylings of recent albums III and Wonderland to focus mainly on dusky 70s MOR and rustic pop-rock a la Elton John. So we get rich harmonies and barroom piano flurries on the title track, while single Windows marries a classic, richly melodic Barlow chorus to plucked acoustic guitar and big swirling strings.

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