English rugby’s anthem Swing Low, Sweet Chariot has caused great controversy due to its links to slavery and has been regularly heard at the Rugby World Cup in France.
The anthem has very different connotations either side of the Atlantic Ocean, having originated in the United States as an African-American spiritual, commonly association with slavery and the continuous opression of the black race. The song was sung in the 1800s in an expression of the desire to be released from slavery, and was also frequently sung at funerals - which continues today.
In England though, the song has become well known as England’s anthem, with fans happy to sing it at every Twickenham Test as well as at away games around the world.
The RFU has briefly discussed its presence at Twickenham in the past, but has not taken action and regularly banners the lyrics - which can be seen below - around the stadium during matches to encourage fans to support the team.
The RFU has pushed for greater diversity and inclusion with the implementation of a working group to “achieve diversity” and “accelerate change and grow awareness”.
The RFU has not said that it will look to ban the song from Twickenham, but has made a push to bring the “historical context” to light in a bid to educate fans on the song’s origins.
An RFU spokesperson said: “The ‘Swing Low, Sweet Chariot’ song has long been part of the culture of rugby and is sung by many who have no awareness of its origins or sensitivities. We are reviewing its historical context and our role in educating fans to make informed decisions.”
Swing Low, Sweet Chariot lyrics
Swing low, sweet chariot
Coming for to carry me home
Swing low, sweet chariot
Coming for to carry me home
I looked over Jordan and what did I see
Coming for to carry me home
A band of angels coming after me
Coming for to carry me home
Swing low, sweet chariot
Coming for to carry me home
Swing low, sweet chariot
Coming for to carry me home
If you get there before I do
Coming for to carry me home
Tell all my friends I'm coming too
Coming for to carry me home
Swing low, sweet chariot
Coming for to carry me home
Swing low, sweet chariot
Coming for to carry me home
The song was first formally published in the 1870s for the Fisk University Jubilee Singers after being written by Wallace Willis, a Native American slave before the American Civil War. The all-black choir toured the US and Europe and staged concerts that helped spread spirituals both nationwide and overseas. In the following decades the anthem was adopted by choirs in the United Kingdom, but in the 1950s it became a symbol of the American civil rights movement as black people in the US fought for equality.
However, it also came to be a common rugby song thanks to the rude hand gestures that run with the lyrics, regularly sung after matches across England and adopted by a number of clubs as a tradition that continues today.
Eventually, it came to prominence at Twickenham, most notably when Chris Oti became the first black player to represent England in almost 100 years in 1988. Cross-coder Martin Offiah was also anecdotally linked to the song, with fans attempting to use it as a form of appreciation for their efforts rather than a racially-abusive chant. He quickly earned the nickname ‘Chariots Offiah’ in a play on the film Chariot of Fire, and was first believed to have been subjected to Swing Low being sung during a match in 1987.
The presence of the song as an official rugby anthem has divided opinion among the rugby community, but it has shocked those in the US who are fully aware of its history and real connotations.
Arthur Jones, a music history professor and founder of the Spiritual Project at the University of Denver, told the New York Times in 2017 that Swing Low should be used to tell the horrors of slavery and to educate people on what black people had to endure during oppression.
“My first reaction is absolute shock — and I actually understand it when I think about it — but that’s my first reaction,” Jones said. “I feel kind of sad. I feel like the story of American chattel slavery and this incredible cultural tradition, built up within a community of people who were victims and often seen as incapable of standing up for themselves, is such a powerful story that I want the whole world to know about it. But apparently not everyone does.”
