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The Guardian - UK
The Guardian - UK
Entertainment
Guy Lodge

Streaming: the best Halloweens on screen

a composite of four stills from Meet Me in St Louis; It’s the Great Pumpkin, Charlie Brown; Arsenic and Old Lace; Harry Potter and the Philosopher’s Stone.
Clockwise from top left: Meet Me in St Louis: ‘as gorgeous as spooky season gets on screen’; ‘comedy and pathos’ in It’s the Great Pumpkin, Charlie Brown; the ‘tart’ Arsenic and Old Lace; Harry Potter and the Philosopher’s Stone. Alamy; Allstar Composite: Alamy; Allstar

It’s a curious celebration, Halloween: a night ostensibly dedicated to death and haunting that has somehow become an occasion for all things autumnally cosy. (Growing up in a country where Halloween fell in the bright blush of spring, it made even less sense.)

Halloween night itself may have served as the baleful setting for many a blood-freezing horror film – most obviously, and effectively, in John Carpenter’s original Halloween, which locates a sense of tingly, dangerous desolation in the banal Halloween festivities of American suburbia. But just as often the day serves as a movie backdrop for comedy, joy and romance, all rendered in warm russet tones.

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