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The Guardian - UK
The Guardian - UK
Entertainment
Anya Ryan

Splintered review – queer Caribbean cabaret is a fantastic night of festivity and foolery

Melissa Saint in Splintered.
Everything you see will be truthful … Melissa Saint in Splintered. Photograph: Lidia Crisafulli

A play that opens with a woman downing vodka from a Mooncup is hard to come by. Splintered, written and directed by Emily Aboud, is a fantastic night of festivity and foolery.

A charismatic trio – Chanté Faucher, Melissa Saint and Alice Vilanculo – are our teachers. “Welcome to Splintered everyone,” they shout. “Are you ready to come out?” Collectively, they educate us on the life of queer women in the Caribbean, reasoning that the homophobia embedded in their culture is founded in the legacy of colonialism. A mix of cabaret, drama and verbatim interviews, this blazing hybrid-form introduces us to their real stories. “Everything you see will be truthful,” the emcees swear.

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