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The Guardian - UK
The Guardian - UK
Entertainment
Joe Moshenska

Spinoza: Freedom’s Messiah by Ian Buruma review – a man of his time… and ours

Samuel Hirszenberg’s c1907 painting of Baruch Spinoza, walking with book in hand in Amsterdam, ostracised by the local Jewish community.
Samuel Hirszenberg’s c1907 painting of Baruch Spinoza, ostracised by the local Jewish community in Amsterdam. Photograph: Culture Club/Bridgeman/Getty Images

In December 2021, the philosopher Yitzhak Melamed posted on social media a letter that he had received from the rabbi of the Portuguese synagogue in Amsterdam. Melamed had written requesting permission to film there for a documentary on the philosopher Baruch Spinoza, who had been emphatically expelled by the 17th-century Jewish community. The rabbi sternly explained that the elders of that community had “excommunicated Spinoza and his writings with the severest possible ban, a ban that remains in force for all time and cannot be rescinded”. Furthermore, not only was the ban – known as a cherem – still apparently in full force, but it was contagious: because Melamed has “devoted his life to the study of Spinoza’s banned works”, he too was now declared “persona non grata in the Portuguese synagogue complex”. When Melamed was interviewed about these events on the BBC World Service, he wryly commented: “I don’t completely buy the image of this kind of zealotry, partly because the synagogue itself is selling puppets of Spinoza in their shop.” It’s true: I visited in early 2022 and bought what was then the last puppet in stock, which now sits on the mantelpiece in my office and looks down at me when I teach.

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