
I’ll never forget seeing Oona Doherty perform solo in Hackney in 2019. She burst from the boot of a Renault Clio outside the Yard Theatre, electrifying as a lairy, longing, nerve-jangling lad.
Now based in France, the Irish choreographer hasn’t performed on stage for a while, but the best of her choreography has the same arresting jangle. It’s there, if only in flashes, during Specky Clark, her latest work – an uncanny fable of grief and pork butchery.