There was a time when the Nikon 200mm f/2 was glued to my camera. That lens changed the way I worked; it shaped how I saw sport, light and movement.
While others wrestled with their f/2.8 glass and high ISO noise in poorly lit stadiums, I was sitting pretty at ISO 3200, shooting wide open at f/2 or 2.2 and still getting cleaner, sharper files.
