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The Guardian - UK
The Guardian - UK
Comment
Rachel Connolly

So long ‘immersive Van Gogh’: we deserve better than this cynical and elitist approach to art

Visitors at an immersive exhibition of works by Vincent Van Gogh in Milan in June.
Visitors at an immersive exhibition of works by Vincent Van Gogh in Milan in June. Photograph: Gabriel Bouys/AFP/Getty Images

Repetition and familiarity are everywhere in our culture. From the commercial novels advertised entirely in terms of their similarity to popular titles from the previous year or two, to endless and proliferating film franchises, the selling point of so many things now is, in effect: this is a slightly (even very) worse version of something you’ve seen already. The “immersive art” concept offered by companies like Lighthouse Immersive is the purest form of this wearying trend, so recent news that Lighthouse has filed for bankruptcy feels like a faintly promising development.

Lighthouse Immersive puts on shows in which reproductions of work by household-name artists are blown up and projected on to the walls of galleries. Music is piped into the space to curate the mood, taking the place that imagination plays in a traditional exhibition. The idea is that these magnified projections encourage an audience to appreciate the finer details of certain famous paintings.

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