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Ruth Barton, Professor in Film Studies, Trinity College Dublin

Small Things Like These: Magdalene laundries drama is a powerful rumination on compassion – and its limits

In 2021, Ireland’s then Taoiseach (prime minister), Enda Kenny, delivered a formal apology to the survivors of the Magdalene laundries. The laundries were religious institutions where unmarried mothers and other “fallen” women were forced into slave labour.

“It struck me,” he said, “that for generations Ireland had created a particular portrait of itself as a good living God-fearing nation. Through this and other reports we know this flattering self-portrait to be fictitious … by any standards it was a cruel, pitiless Ireland distinctly lacking in a quality of mercy.”

His words might well serve as a prologue to the new film adaptation of Claire Keegan’s 2020 novella, Small Things Like These. So too might a brief moment in the equally excoriating, if less nuanced film, The Magdalene Sisters (2002). In it, one of the young women begs a local delivery boy to help her escape, but in the end he lets her down.

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