A delicate love affair blooms in the new film from Lithuanian director Marija Kavtaradze, which explores attraction and intimacy with intelligence and compassion. It tells the story of Elena (Greta Grinevičiūtė), a contemporary dancer leading a workshop for deaf teenagers, who falls for sign language interpreter Dovydas (Kęstutis Cicėnas). When Dovydas tells her he is asexual, she assumes she is being rejected. He clarifies that he is telling her because he likes her. They decide to try and make it work.
Shot on 16mm film, Slow looks grainy and pleasingly tactile, a fitting look for a film that is interested in many sides of the human touch – how it can soothe, arouse and even spark discord. The gentle naturalism of Slow’s style – full of long takes, restrained dialogue and a moving handheld camera that makes liberal use of closeups – gives the story a homespun, intimate feel. Dovydas’s experience of asexuality, an underrepresented subject on screen, is portrayed with care. With strong performances by Grinevičiūtė and Cicėnas, Elena and Dovydas’s relationship unfolds at a gentle, unhurried pace, their growing attraction indicated by small details – coy glances, long, loaded pauses between conversation – that reward attentive viewing.
