Two very different versions of England have launched on American streaming platforms this week. The London of Disney Plus’ Marvel series Moon Knight is a tourist fantasy – an open-top bus of a city, one populated by EastEnders caricatures and Oscar Isaac as the scarily accented love child of Russell Brand and Anne Hathaway in One Day. Comparatively, Apple TV’s Slow Horses, a pitch-black comedy about not-very-good spies, is English to its core. Everyone is miserable, the streets are dirty, and the camera filter is the colour of a damp paperback stuffed in the backroom of an Oxfam. It feels like home.
Perhaps it’s that stench of failure that feels distinctly English, too. Slow Horses revolves around the dregs of MI5, or the secret agents lacking the renegade panache of 007, or even the raw sexual magnetism of Austin Powers. After a training exercise at Stansted Airport goes awry, nascent spook River Cartwright (Jack Lowden) is dumped in a grubby office block called Slough House as punishment. There, espionage grunt work is taken care of under the semi-watchful eye of the louche Jackson Lamb (Gary Oldman), who serves as an intermediary between his “donkeys” and the “grown-up spies” barked at by MI5 boss Diana Taverner (Kristin Scott Thomas).
