Congratulations to the Sinners camp on its Oscar night triumphs – affirmation that cinema can be deep and entertaining at the same time. It might not have swept the major awards as some of us had hoped, but it is still a personal victory for Ryan Coogler, and also the validation that Black cinema has long been denied. And despite handling heavy themes of racist violence, Sinners will probably be remembered by history as a message of hope and unity in a turbulent era.
Nobody could argue that Coogler’s film didn’t deserve its success. Sinners is a complete, unified, all-round work of art. Everything seems to be in tune: the story, the performances (not least Michael B Jordan’s technically demanding dual role – justly rewarded with the best actor Oscar), the music, the costumes , the production design, the visuals (a boundary-smashing award for Autumn Durald Arkapaw – the first woman and the first Black winner of the best cinematography Oscar). Sinners’ record 16 nominations and four wins were confirmation that the Academy agreed.
