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The Guardian - AU
The Guardian - AU
Lifestyle
Sian Cain

‘Sheer spectacle’: biggest Kandinsky show to reach Australia opens in Sydney

Megan Fontanella, curator of modern art and provenance at the Solomon R. Guggenheim museum, New York, during a media preview of the Sydney International Art Series 2023-24 Kandinsky exhibition at the Art Gallery of NSW.
Megan Fontanella, curator of modern art and provenance at the Solomon R. Guggenheim museum, New York, during a media preview of the Sydney International Art Series 2023-24 Kandinsky exhibition at the Art Gallery of NSW. Photograph: Dan Himbrechts/AAP

If you are a person who doesn’t “get” art, there is something thrilling about Wassily Kandinsky. Because trying too hard to find something concrete under all the sugary colours, random shapes and squiggles would give anyone a headache.

“Looking at a painting by Kandinsky, we are simultaneously looking at what it is concealing,” the art historian and painter John Golding once wrote. Critic David Sylvester instructed that no one should not stare too long: “As soon as we look at the picture, it starts making faces at us,” he huffed. “Some day Kandinsky will be the best known and best loved of men,” a starry-eyed Diego Rivera wrote in 1931; for now, though, he’s mostly known as opaque and impenetrable.

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