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The Guardian - UK
The Guardian - UK
Entertainment
Peter Bradshaw

Shaun the Sheep: The Beast of Mossy Bottom review – Aardman’s spooky-season caper sparkles with fun

Shaun the Sheep smiles, flanked by the Farmer and a bespectacled woman
A love story of sorts … Shaun the Sheep: The Beast of Mossy Bottom. Photograph: Aardman/Rediat Abayneh

Summer is over and Halloween is on the way … not for a fair bit, of course, but if all the UK’s Halloween merch and continuing pop culture content is up to the standard of this film, then no one is going to be complaining. This is the third in Aardman’s thoroughly enjoyable and cleverly written Shaun the Sheep stop-motion franchise of what are effectively silent movies, with a few intelligible words. It is the story of gutsy and heroic sheep involved in amazing adventures in the sleepy village of Mossy Bottom, starring characters who first appeared in the Wallace and Gromit short film A Close Shave.

This one is another excellent family film, crammed as ever with top visual gags, great throwaway references and, of course, a homemade Heath Robinson contraption, so often to be found in Aardman films. We get nods to The Archers, The Wombles and The Simpsons; there’s a wacky chase worthy of What’s Up, Doc?; a homage to the notorious waxing scene from Judd Apatow’s The 40-Year-Old Virgin; and even what appears to be a brief visual walk-on for George Bernard Shaw as Bigfoot. As ever with Shaun the Sheep and Aardman Animations generally, the standard of writing is extremely high and the script here, from Mark Burton and Giles Pilbrow, sparkles with good-natured fun. One high-street hairdressing salon in the wool-producing district where it’s set is called Barber Black Sheep – and if no real-life shop has stolen this joke yet, they ought to.

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