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Anja Shortland, Reader in Political Economy, King's College London

Selling stolen art is tricky, so why even bother heisting it? An expert explains

It took less than three minutes for an organised crime gang to steal a Renoir, Matisse and a Cezanne painting collectively worth around €9 million (£7.8m) from a private museum near Parma, Italy in March 2026. This is the second high profile art heist in recent months, after the theft of jewellery worth €9.5 million (£8.25m) from Paris’s Louvre in October 2025.

The items stolen are clearly valuable. But, as an expert in the governance of criminal markets, I can tell you acquiring the goods is only the first step. Turning this loot into cash is fraught with risk .

The Italian government takes the protection of its cultural heritage seriously, with a whole department of the Carabinieri (Italian police) devoted to the theft of arts and antiquities. This department scans the global art trade for forged, stolen and illegally exported treasures, demanding their return.

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