Last week, London’s Duke of York’s theatre played host to an elaborate four-night live staging of Self Esteem’s third album. Devised by Self Esteem herself – Rebecca Lucy Taylor – along with Tony award-winning theatrical director and designer Tom Scutt, it was rapturously received by critics, and seemed to speak of an entirely understandable confidence on Taylor’s part.
Since 2017, she has completely reinvented herself, from one half of middle-ranking indie duo Slow Club into an on-her-own-terms pop star. Her second album as Self Esteem, 2021’s Prioritise Pleasure, was a critical and commercial success, shifting her into the realm of breakfast TV interviews and appearances on The Graham Norton Show and Celebrity Bake-Off. She also has a burgeoning career as an actor, having played Sally Bowles in a West End production of Cabaret opposite Scissor Sisters’ Jake Shears. Her success has meant that, on Prioritise Pleasure’s follow-up, she was finally afforded a recording budget sufficient to do what she always wanted: grand ambitions involving choirs and orchestras.
