The Brentano String Quartet had finished their performance when a special guest dropped in backstage: the US supreme court justice Ruth Bader Ginsburg. “We thanked her for everything she had done for our country,” recalls violinist Mark Steinberg. “It was a nice moment.”
The year was 2016 and the place was the John F Kennedy Center for the Performing Arts in Washington. Fast forward a decade and old certainties have been shaken: Ginsburg is dead, Donald Trump is president and the Kennedy Center has become a case study in how a seemingly solid American institution can quickly unravel.
