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The Guardian - US
The Guardian - US
Entertainment
Adrian Horton in Park City

See You When I See You review – familar Sundance-y grief comedy drama has its moments

People hug sitting together on a couch
Skyler Bible, Lucy Boynton, Oliver Diego Silva, David Duchovny, Hope Davis, Ariela Barer and Cooper Raiff appear in See You When I See You. Photograph: Jim Frohna

If anyone can speak to the “end of an era” nostalgia coursing through the legacy-minded 2026 Sundance film festival, its final edition in Park City and its first without founder Robert Redford, it would be Jay Duplass. The film-maker first attended the indie festival along with his brother, Mark, in 2003, with a self-proclaimed “$3 film”, then went on to premiere three projects – The Puffy Chair, Baghead and Cyrus – that epitomized the much-debated, very indie mumblecore movement of yore. For the Duplass brothers, the festival was, as it has been for many a small-budget artist trying to break out, the difference between a career and another $3 film. Without Sundance, he recently joked: “I’d probably be a psychologist right now.”

Psychologist sympathies peek through See You When I See You, Duplass’s feature film return to the festival after 16 years largely focused on acting and directing episodic television, notably for Togetherness, Search Party and the criminally underseen Somebody, Somewhere. An earnest adaptation of comedian Adam Cayton-Holland’s memoir, Tragedy Plus Time, the 102-minute film is both a straightforward tribute to psychotherapy and a tightrope walk of tone, attempting to balance profound grief with breezy comedy for a family reeling from a shocking loss.

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