A statue depicting the angry spirit of a Belgian officer beheaded during a 1930s uprising in the Congo will go on display at the Dutch pavilion of this year’s Venice Biennale, seeking to spark a debate about colonial blindspots in the art world – and the Belgian pavilion next door.
The carved wooden figure of colonial administrator Maximilien Balot will not be physically present at the world’s largest art event: a screen will show a livestream from a gallery in Lusanga, in the Democratic Republic of the Congo (DRC), where the artefact will be on display for the six-month duration of the festival.
