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The Guardian - UK
The Guardian - UK
Entertainment
Arifa Akbar

Sappho review – the poet’s passions, from ancient Lesbos to spangly clubland

A dancing vision … left, Georgie Fellows as Sappho, and Eleanor Kane as Adore, in Sappho.
A dancing vision … left, Georgie Fellows as Sappho, and Eleanor Kane as Adore, in Sappho. Photograph: Mark Senior

An ancient Greek love story, this show presents the ur-lesbian of the poetic canon, but not as we know her. Sappho bursts out of 6th-century BC looking like a clubber, grooving to synthesised beats.

Written by Wendy Beckett and originally performed in Greek, it enacts an alternative history in Lesbos as Sappho’s poetry is combined with song and dance on a set that spangles with silver and gold: this could be a themed “ancient Greek” night at the Ministry of Sound.

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