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The Guardian - UK
The Guardian - UK
Entertainment
Peter Bradshaw

Rye Lane review – engagingly cartoony romcom on the streets of south London

Likable leads … David Jonsson and Vivian Oparah in Rye Lane
Likable leads … David Jonsson and Vivian Oparah in Rye Lane. Photograph: Photo Credit: Chris Harris/© 20th Century Studios

Feature first-timer Raine Allen Miller directs this romcom urban-pastoral, goofing and freewheeling around the streets of south London with an almost childlike innocence – shot by Olan Collardy in rich colour with cartoony wide-angle streetscapes, and scripted by Nathan Bryon and Tom Melia. Unsubtle and on-the-nose though it undoubtedly is, there is also an amiable, upbeat energy.

It benefits from two sympathetic leads: Vivian Oparah (from BBC TV’s Dr Who spin-off Class) and David Jonsson. Oparah plays Yas, a wannabe fashion designer, waiting for people to call her back for interviews for jobs. She finds herself in the gender-neutral lavatories at a photography exhibition and overhears recently heartbroken Dom (Jonsson) sobbing in one of the stalls; Dom’s humiliation is then complete when Yas asks him tentatively through the door if he’s OK, then has to tell him that this toilet is not, as he assumed, the “gents”.

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