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John Vandevert, Ph.D candidate, Uppsala University

Russian rap has long held up a mirror to Russian society – and the current reflection isn't flattering

Andrey Vladimirovich Menshikov, mostly known by his stage name 'Legalize', but also for his membership in D.O.B and Bad Balance, is used to grating the Kremlin. KabanDanish/Wikimedia, CC BY-SA

In retrospect, rap in 1990s Russia was truly free. How so? Look around: the bright post-Soviet future of which Russians caught a glimpse during the 1990s has collapsed, replaced with something much darker, with one of its victims being rap.

In my PhD research on 1990s rap in Russia, I find the era allowed Soviet nostalgia, sexual promiscuity, and self-reflection to live alongside political cooptation, much like in the 1999/2000 song “Beat Battle”, a covert political message in support of centrist electoral candidate Grigory Yavlinsky. The 1996 track “Vote or Lose” by Bachelor Party (in Russian: Malchinik, Мальчишник) is yet another case:

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