An “exceptional” archive comprising almost 800 historic tartan samples, including textiles crafted for Queen Victoria, has been gifted to the nation.
The extensive collection, with some pieces dating back over two centuries, was produced by J&D Paton, a leading tartan manufacturer throughout the 19th and 20th centuries.
Stuart Paton, the great-great grandson of the firm’s founder, has donated the fabrics to National Museums Scotland (NMS).
Among the items are fabrics made for Queen Victoria and the royal family during the 19th-century Highland revival, military tartans supplied to Scottish regiments, and previously unrecorded clan designs. There are also rare examples woven for women’s fashion.
Experts suggest that the collection, which chronicles the company's history from its 1820s foundation to its closure in the 1960s, could significantly alter current understanding of tartan.
The archive will now undergo cataloguing before being made accessible for research at the National Museums Collection Centre in Edinburgh.
“Tartan is one of the most recognisable symbols of Scotland and the exceptional J&D Paton collection is of immense importance to ongoing research into the history of the iconic textile,” Dr Mhairi Maxwell, curator of modern & contemporary history at NMS, said.
“We have only just begun to uncover the stories woven through this remarkable archive and I’ve no doubt there are many discoveries waiting to be made, all thanks the generosity of Stuart Paton and his family.”
J&D Paton was at its most popular in the late 19th century and carried on production through both the First and Second World Wars.
At its peak, the firm, family-run for five generations, employed hundreds of people across four factory sites in Stirlingshire, near Tillicoultry.
It produced internationally renowned tartans and tweeds, and won awards for fine fashion textiles which were sometimes woven through with silk.
Previous knowledge of the history of tartan in the 18th, 19th and 20th century has been dominated by what is known about Wilsons of Bannockburn, another “prolific” producer of tartan based in Stirlingshire.
Dr Maxwell said the acquisition of the J&D Paton archive will help provide a fuller picture of tartan production during that period.
“We are really hoping that this will rewrite the history of tartan production as we currently understand it,” she said.
NMS said the archive provides a rare and detailed picture of the history of mass manufacturing at a time when tartans were expanding into global marketplaces and new fashions.
Dr Maxwell said: “J&D Paton also seem to have been the pioneers of more fashionable tartans and that’s really exciting, because the time that they were really mass-producing these tartans is the peak of the kind of romanticism of Scotland.
“The idea that Queen Victoria was decking out Balmoral in her tartans and was herself pictured in beautiful tartan shawls, it was no surprise then that there would be a demand from the middle classes and the elite to also have a bit of their own fashionable tartan.
“So, we’re really hoping this archive can shed light on that and we’ll be looking at the colours that were popular.”
She said the archive, featuring a “kaleidoscope of tartan”, has been “beautifully” preserved by the Paton family.
Stuart Paton, former director of J&D Paton, said: “I am delighted to find a long-term home for the collection with National Museums Scotland.
“The donation is made in memory of my godfather Captain Paton, a long-time chairman of the company, in the hopes it will become a valuable asset for those researching and learning about Scotland’s textile heritage for generations to come.”
NMS is keen to hear from any descendants of employees who worked in J&D Paton factories and have any items relating to their time there, or have memories or stories that have been passed down through the generations, and asked them to get in touch by contacting info@nms.ac.uk.
How to spot fake beauty products online and avoid being ripped off
Bad idea right? How the babydoll dress became spring’s most divisive fashion choice
All the British and European designers Kate has worn in Italy during major solo trip
7 jewellery basics you need in your collection
Eight of late Queen Elizabeth’s most symbolic outfits as her100th birthday approaches
