Love, power, agony and death – throughout its history opera has been cherished for its displays of unbridled passion. But for those enacting scenes of murder, sex and sometimes even rape, words like consent and agency have rarely come up.
Now, in what’s thought to be a British first, the Royal Opera House (ROH) is consulting with Ita O’Brien – an intimacy coordinator who ensures actors feel comfortable during such scenes – for Katie Mitchell’s new production of Theodora, opening on Monday.
