Sir Cameron Mackintosh is in buoyant spirits. “Despite the dreadful slights inflicting all of us, we had our best November and December in years, even pre-Covid. We’re even doing better than normal into February.”
The producer credits the “raft of terrific shows”, including the blockbusting Hamilton and a revamped Les Misérables, playing at the eight West End theatres he owns. The influx of tourists, partly attracted by a weak pound, has helped. He also praises the commitment of diehard audiences who have, since the summer, “been turning up by hook and by crook; planning ahead to outwit rail strikes. We’re very grateful to them: that mantra, the show must go on has never felt more vital.”
