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The Guardian - UK
The Guardian - UK
Entertainment
Phuong Le

Rise (En Corps) review – a ballerina’s dramatic comeback from devastating injury

Rise (En Corps)
Emotional interiority … Rise (En Corps) Photograph: Publicity image

The English translation of the title of Cédric Klapisch’s latest could be a little more evocative. The original French title, En Corps, is a kind of double entendre, both something related to the body and also the company of a dance troupe. Appropriately so, as this film is all about the self-discovery journey of Elise (Marion Barbeau), a classical ballet prima donna who struggles to reclaim her place in the dance world after breaking her ankle on stage.

Her affliction is emotional as well as physical; it occurs right after Elise discovers that her dancer boyfriend is cheating on her. When told that she might never perform again, Elise is ready to accept her fate. Nevertheless, while staying at an artists’ residency in Brittany as an extra pair of hands in the kitchen, Elise finds her way to healing – both physically and mentally – through mixing with a contemporary dance group.

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