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The Guardian - UK
The Guardian - UK
Entertainment
Michael Hann

Rick Davies brought a peculiar funk to Supertramp, a band that existed on its own unfashionable terms

(left to right) Rick Davies, Roger Hodgson, Richard Palmer, Robert Millar and David Winthrop, of Supertramp, pictured in 1970.
‘Hodgson may have written the band’s biggest hits, but Davies supplied their shape’ … (left to right) Rick Davies, Roger Hodgson, Richard Palmer, Robert Millar and David Winthrop of Supertramp, pictured in 1970. Photograph: PA

It must be odd to have been a band’s co-founder and joint frontman and to know that when thousands of people came to see you, they did so on condition that not only did you play songs you neither wrote nor sung, but had also initially agreed not to perform. That was what happened to Rick Davies, who formed Supertramp with Roger Hodgson in 1970. Hodgson left the band in 1983 – on the agreement that he took his songs, and Davies took the name. But touring as Supertramp is impossible without The Logical Song or Dreamer or Breakfast in America, and so, to Hodgson’s irritation, Davies played the songs.

It was fitting though, because the tension between Davies and Hodgson was very much the driving force of Supertramp. Davies loved jazz and blues, whereas Hodgson was in love with pop. And it was in the combination of their two impulses that Supertramp found their greatest success. If you were to define a “Supertramp sound” it would be Hodgson’s keen tenor backed by Davies’ burbling keys: Hodgson may have written the band’s biggest hits, but Davies supplied their shape. And he had plenty of his own songs to sing.

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