A swift, bright 77 minutes not counting end credits, the South London-set “Rye Lane” (streaming on Hulu Friday) has two fantastic faces at its center and a wealth of vibrant visual detail in every frame.
The movie, director Raine Allen-Miller’s feature debut, takes its cue from Yas, the aspiring costume designer played by Vivian Oparah. Everything this blur of creative energy wears or carries is a riot of primary color and clashing texture; as photographed by Olan Collardy, the movie’s like that, too. Even when the screenplay favors an arch quality when we wouldn’t mind a looser, easier-going touch — it’s as stylized and storybook-ish a vision of modern London as the delightful “Paddington” films — the actors, chiefly Oparah and David Jonsson, make for highly engaging company.
Designer Yas and accountant Dom (Jonsson) meet in an art gallery unisex washroom, Dom weeping alone in a stall. He wants to be left alone for his “private moment,” but Yas, from the other side of the stall door, can’t help but ask what’s up, how he’s doing, and why he’s crying. Both people have recently been through relationship breakups with controlling, difficult partners, played mostly for laughs though, when it counts, also played for authentic hurt.
