I was so engrossed by Reverb’s first installation I struggled to get past it. Stan Douglas’s Luanda-Kinshasa is a masterpiece of filmed live music, here projected in the long, sloping concrete vestibule of the subterranean warren of 180 Studios. I could easily have sat through all six hours of it. When I did finally drag myself away, I carried its joy through the rest of the show.
Reverb explores collaboration: between improvising musicians; between the worlds of art and music; between producing outfit The Vinyl Factory, which commissioned these installations; and between the artists and pop stars it has worked with. It is also about the profound mystery that is the making and sharing of music.
