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The Guardian - UK
The Guardian - UK
Entertainment
Lucy Mangan

Red Eye review – the mile-high mystery that wishes it were Hijack

Seats for take-off … Red Eye.
Seats for take-off … Red Eye. Photograph: Jonathan Ford/Bad Wolf/Sony Pictures Television

If it’s Sunday – or Monday, Tuesday, Wednesday, Thursday, Friday or Saturday – it must be time for a serviceable new thriller starring Richard Armitage. They’re usually on Netflix and adapted from a Harlan Coben bestseller (The Stranger, Stay Close, Fool Me Once); though they’re also sometimes on Netflix and adapted from a Josephine Hart novel (Damage, renamed Obsession for TV). This time, he is serviceably thrilling on ITV1 and ITVX in Red Eye, written by Peter A Dowling (with Jingan Young taking on episode four).

Armitage is Dr Matthew Nolan, first seen stumbling out of a Beijing nightclub with a knife wound, before smashing his car into a traffic barrier in an attempt, one assumes, to avoid another stabbing. Viewerly interest piqued, we cut to him arriving at Heathrow and promptly being arrested – or whatever variation these border agents perform – for the killing of a young woman who was in his car when it crashed. She was the daughter of a Party general and, in order not to jeopardise a fragile energy deal with China, the government agrees to send him straight back there to answer the charges.

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