When the late historian Sir Ben Pimlott embarked on his 1996 biography, his colleagues expressed surprise that he should consider Queen Elizabeth II worthy of serious study at all. Yet Pimlott’s judgement proved sound and, if few academics have followed his lead, the political role of the monarchy has received thoughtful treatment in the creative arts.
Stephen Frears’s 2006 film, The Queen, showed her dilemma after the death of Princess Diana; Peter Morgan’s stage play The Audience showed the monarch’s weekly meetings with her prime ministers. And she has been shown in a generally positive and sympathetic light by both Netflix’s acclaimed drama series The Crown and even in Mike Bartlett’s speculative play King Charles III, about the difficulty her heir would have in filling her shoes.
Elizabeth’s reign was a delayed result of the abdication crisis of 1936, the defining royal event of the 20th century. Edward VIII’s unexpected abdication thrust his shy, stammering younger brother Albert onto the throne as King George VI. Shortly thereafter he was thrust into the role of figurehead for the nation through the second world war.
