Suzie Miller’s award-winning 2019 play Prima Facie employs a familiar narrative device: a hotshot London barrister finds herself on the other side of the bar, subject to the very legal tactics she once so ruthlessly employed. Not as a defendant, but as the accuser in a rape case.
We’ve seen versions of this before – a powerful figure suddenly caught in a struggle against a system they helped perpetuate – but Miller’s play distinguishes itself by putting the onus on to one actor.
